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Tchaikovsky

Pikes Peak Center for the Performing Arts

190 S. Cascade Ave
Colorado Springs, CO 80903 United States
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Program

Nkeiru Okoye Voices Shouting Out

Rachmaninoff Rhapsody on a theme of Paganini

Tchaikovsky Symphony No. 2

An-Lun Huang Saibei Dance

About The Performance

Tchaikovsky’s Symphony No. 2 – a joyous celebration of lively Ukrainian folk melodies – is known for its thrilling finale. Witness the captivating Mei-Ann Chen as she leads the Philharmonic through a voyage of passionate expression with Rachmaninoff’s lyrical piano concerto performed by Colorado Springs favorite, Conrad Tao.

Join us for Colorado Springs Philharmonic Pre-Concert talks. Go behind the curtain and inside the score with these 30-minute pre-concert conversations.

Read Full Program Notes Here. 

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Mei-Ann Chen

Praised for her dynamic, passionate conducting style, Taiwanese American conductor Mei-Ann Chen is acclaimed for infusing orchestras with energy, enthusiasm and high-level music-making, galvanizing audiences and communities alike. Music Director of the MacArthur Award-winning Chicago Sinfonietta since 2011, Ms. Chen has been Chief Conductor of Austria’s recreation – Grosses Orchester Graz at Styriarte since fall 2021 (following two seasons as the orchestra’s first-ever Principal Guest Conductor), making her the first female Asian conductor to hold this position with an Austrian orchestra. She also serves as the first-ever Artistic Partner of Houston’s ROCO since 2019 (River Oaks Chamber Orchestra); and in 2022- 2023, began her new role as Artistic Partner with Northwest Sinfonietta in Washington. Highly regarded as a compelling communicator and an innovative leader both on and off the podium, and a sought-after guest conductor, she has appeared with distinguished orchestras throughout the Americas, Europe, Taiwan, The United Kingdom, and Scandinavia, and continues to expand her relationships with orchestras worldwide (over 120 orchestras to date). Honors include being named one of 2015’s Top 30 Influencers by Musical America; the 2012 Helen
M. Thompson Award from the League of American Orchestras; Winner of the 2007 Taki Concordia Fellowship founded by Marin Alsop; and 2005 First Prize Winner of the Malko Competition (the only woman in the competition’s history since 1965 to have won First Prize), and ASCAP awards for innovative programming.

 

Conrad Tao

Conrad Tao has appeared worldwide as a pianist and composer and has been dubbed “the kind of musician who is shaping the future of classical music” by New York Magazine, and an artist of “probing intellect and open-hearted vision” by The New York Times. Tao has performed as soloist with the Los Angeles Philharmonic, Chicago Symphony, Cleveland Orchestra, New York Philharmonic, and Boston Symphony. As a composer, his work has been performed by orchestras throughout the world; his first large scale orchestral work, Everything Must Go, received its world premiere with the New York Philharmonic, and its European premiere with the Antwerp Symphony, and he was the recipient of a New York Dance and Performance “Bessie” Award, for Outstanding Sound Design/Music Composition, for his work on More Forever, in collaboration with dancer and choreographer Caleb Teicher. He is also the recipient of the prestigious Avery Fisher Career Grant and was named a Gilmore Young Artist—an honor awarded every two years highlighting the most promising American pianists of the new generation.

In the 2023-24 season, Tao makes his subscription debut with the Chicago Symphony Orchestra performing Gershwin’s Concerto in F major with James Gaffigan. He also re-unites with the New York Philharmonic to perform Mozart’s Piano Concerto No. 17, following his curated program for them last season as part of the Artist Spotlight series. Meanwhile, he celebrates the 100th anniversary of Rhapsody in Blue with multiple performances of the work and a new companion piece commissioned from him by the Santa Rosa Symphony. His return engagements include performances with the Cincinnati Symphony alongside Matthias Pintscher, the Oregon Symphony alongside David Danzmayr, and the Seattle Symphony, whom he play-directs in Conrad Tao’s Playlist, weaving Mozart’s Piano Concerto No. 24 into an adventurous program of Stravinsky,
Purcell, Linda Catlin Smith, and Morton Feldman. As part of the celebration of Rachmaninoff’s 150th birthday, Tao brings Rachmaninoff Songbook to the 92NY and Germany’s Klavierfestival Ruhr, presenting a direct line from Rachmaninoff to the music of Billy Strayhorn, Harold Arlen, and Stephen Sondheim.

In a concert curated by Tao himself, Tao invites UK-based new-music collective Distractfold to make their NYC debut at Kaufman Music Center with the world premiere of Andrew Greenwald’s A Thing Made Whole VIII along with music by Jürg Frey, Hanna Hartman and Mauricio Pauly. This season also includes performances with dancer Caleb Teicher in the duo’s Counterpoint program, which synthesizes the two seemingly disparate art forms of piano and tap dance. More collaborations include a multi-city tour throughout the season with the Junction Trio, including a program of John Zorn, Ives, and Beethoven at Weill Recital Hall at Carnegie Hall, and the trio’s Detroit debut, among many others.

In the 2022-23 season, Tao performed Mozart with the New York Philharmonic, curating a program for their Artist Spotlight series, featuring collaborations with vocalist Charmaine Lee, and wind ensemble The Westerlies. Tao also made an appearance with the Cleveland Orchestra at Blossom and the San Francisco Symphony, both as a soloist in Gershwin’s Concerto in F major at Davies Symphony Hall, and as a curator for their SoundBox series. In Washington, DC, he made his debut with the National Symphony Orchestra performing Shostakovich with Dalia Staveska, and, following Atlanta Symphony’s premiere of his Violin Concerto with Stefan Jackiw in 2021, he appeared as soloist with the orchestra performing Ravel with Ryan Bancroft. After their successful collaboration with the Finnish Radio Symphony, Tao further re-united with Hannu Lintu to perform Tchaikovsky with the Naples Philharmonic, as well as returned to Finland to open the season with the Tampere Philharmonic and Santtu-Matias Rouvali.

A Warner Classics recording artist, Tao’s debut disc Voyages was declared a “spiky debut” by The New Yorker’s Alex Ross. Of the album, NPR wrote: “Tao proves himself to be a musician of deep intellectual and emotional means”. His next album, Pictures, with works by David Lang, Toru Takemitsu, Elliott Carter, Mussorgsky, and Tao himself, was hailed by The New York Times as “a fascinating album [by] a thoughtful artist and dynamic performer…played with enormous imagination, color and command.” His third album, American Rage, featuring works by Julia Wolfe, Frederic Rzewski, and Aaron Copland, was released in the fall of 2019. In 2021, Tao and brass quartet The Westerlies released Bricolage, an album of improvisations and experiments recorded in a small cabin in rural New Hampshire in June 2019.

Tao was born in Urbana, Illinois in 1994. He has studied piano with Emilio del Rosario in Chicago and Yoheved Kaplinsky in New York, and composition with Christopher Theofanidis.

 

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