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Often overshadowed by the symphonies that precede and follow it (the “Eroica” and the “Fifth”), Beethoven’s 4th is filled with wit and charm. Witness pure jubilance as Grammy-winners Michael Repper and Michelle Cann team up to perform Florence Price’s exquisite Piano Concerto in One Movement alongside the Philharmonic in a stunning conclusion to the Signature Series.
Join us for Colorado Springs Philharmonic Pre-Concert talks. Go behind the curtain and inside the score with these 30-minute pre-concert conversations featuring conductors and guest artists giving their take on the program. Talks begin one hour before performance time.
Read MoreConductor Michael Repper’s work spans six continents. In 2023, he became the youngest North American conductor to win a Grammy® Award in Best Orchestral Performance. He has an international reputation for engaging and exciting audiences of all spectrums, and for promoting new and diverse musical talents.
Repper is currently the Music Director of the Ashland Symphony Orchestra, Mid-Atlantic Symphony Orchestra, and the Northern Neck Orchestra of Virginia. He recently concluded tenures as Music Director of the New York Youth Symphony at Carnegie Hall, and as Principal Conductor of Sinfonía por el Perú, the elite youth orchestras and choruses of one of South America’s most versatile social impact music programs. Repper was the Baltimore Symphony Orchestra Conducting Fellow for two seasons, and he served as the BSO’s New Music Consultant. Recognizing his success at these ensembles, and his growing profile as a guest conductor all over the world, Repper was awarded a Solti Foundation US Career Assistance Award in 2020, 2021, 2022, and 2023.
His album with the New York Youth Symphony, which features debut recordings of works by Florence Price, Jessie Montgomery, and Valerie Coleman, achieved widespread critical acclaim, reached #1 on the Billboard Chart, and won a Grammy® Award, marking the first time a youth orchestra achieved this milestone.
Repper has collaborated on large-scale productions of symphonic and theatrical works with the Weill Music Institute at Carnegie Hall, the Chicago Symphony Orchestra, Ravinia Festival, Peabody Institute of Music, and the New School of Music, among others. An avid pianist, he regularly performs as a soloist alongside his orchestras.
Alongside the standard repertoire, Repper is especially invested in programming new music and showcasing fresh talent. His ensembles have performed dozens of world premieres and pursued innovative commissions, as well as a variety of Carnegie Hall premieres from established and emerging composers.
His experience with choruses has been recognized with significant positions, including his tenure as the Music Director at the Baltimore Basilica, the first Catholic Cathedral in the United States. Internationally, Repper has performed with highly regarded ensembles and in the world’s greatest venues, including the São Paulo Symphony, and at the Palau de la Musica in Barcelona, Carnegie Hall, and others.
His discography includes the aforementioned album of music with the New York Youth Symphony, alongside an album with the Grammy®-Nominated Metropolis Ensemble and Grammy®-Winning Brooklyn Youth Chorus (“Musical America”), and several with the Peabody Institute as an Assistant Conductor. With the New York Youth Symphony during the Coronavirus pandemic, he was one of the first to pioneer the practice of distanced orchestral performance videos, and he made two performance appearances on CNN, the final one with Platinum-Artist Billy Ray Cyrus.
Repper complements his work with professional orchestras with a firm commitment to education, and travels worldwide to work with ensembles of young musicians. As Artistic Director of the Chamber Music Society of Maryland, he ushered in a slate of innovative educational programming, such as the Reinecke Youth Chamber Music Scholarship and Fellowship Program. He has conducted several masterclasses for orchestras from all over the United States on behalf of the New York Philharmonic, and conducts side-by-side and educational concerts with major orchestras, including the Baltimore Symphony, the Colorado Symphony, and the Sarasota Orchestra.
Repper’s most influential conducting mentors are Marin Alsop and the late Gustav Meier. He believes that a conductor’s main role is to connect people and to use performance as a vehicle for positive change. He aims to promote a diverse and inclusive future for the arts, and to pay forward the passion for community that his mentors demonstrated to him.
Lauded as “exquisite” by The Philadelphia Inquirer and “a pianist of sterling artistry” by Gramophone, Michelle Cann has become one of the most sought-after pianists of her generation. She made her debut with The Philadelphia Orchestra in 2021 and has recently performed concertos with The Cleveland Orchestra, the National Symphony Orchestra, the Orquestra Sinfônica Municipal de São Paulo, the Los Angeles Philharmonic, and the symphony orchestras of Atlanta, Baltimore, and Cincinnati.
Highlights of Cann’s 2023-24 season include appearances with the Charlotte, Hawaii, Indianapolis, Québec, Sarasota, and Winnipeg symphony orchestras, and recitals in New York City, Portland, Berkeley, Beverly Hills, and Denver. She also has teaching and performance residencies at the University of Indiana South Bend and Meany Center for the Performing Arts at the University of Washington.
Recognized as a leading interpreter of the piano music of Florence Price, Cann performed the New York City premiere of Price’s Piano Concerto in One Movement with The Dream Unfinished Orchestra in July 2016 and the Philadelphia premiere with The Philadelphia Orchestra and Music Director Yannick Nézet-Séguin in February 2021. Her recording of the concerto with the New York Youth Symphony won a Grammy Award in 2023 for Best Orchestral Performance. Her acclaimed debut solo album Revival, featuring music by Price and Margaret Bonds, was released in May 2023 on the Curtis Studio label. She has also recorded two Price piano quintets with the Catalyst Quartet.
Cann was the recipient of the 2022 Sphinx Medal of Excellence, the highest honor bestowed by the Sphinx Organization. She also received the Cleveland Institute of Music’s 2022 Alumni Achievement Award and the 2022 Andrew Wolf Chamber Music Award.
A celebrated chamber musician, Cann has collaborated with leading artists including the Catalyst, Dover, and Juilliard string quartets, violinists Timothy and Nikki Chooi, and cellist Thomas Mesa. She has appeared as co-host and collaborative pianist with NPR’s From The Top, collaborating with actor/conductor Damon Gupton, violinist Leila Josefowicz, and violinist and MacArthur Fellow Vijay Gupta. Cann’s numerous media appearances include PBS Great Performances’ Now Hear This hosted by Scott Yoo and Living the Classical Life with host Zsolt Bognár.
Embracing a dual role as performer and pedagogue, Cann is frequently invited to teach master classes, give lecture-demonstrations, and lead teaching residencies. Recent residencies include the Gilmore International Keyboard Festival and the National Conference of the Music Teachers National Association. She has recorded lessons for tonebase, the popular piano lesson platform. She has also served on the juries of the Cleveland International Piano Competition, the Kauffman Music Center International Youth Piano Competition, and the piano competition of the Music Academy of the West.
A staunch believer in community-building through music, Cann has served as the director of two children’s choruses in the El Sistema-inspired program Play On Philly and was part of the inaugural class of ArtistYear fellows at the Curtis Institute of Music. Through ArtistYear, she worked with community partners City Year, Teach for America, and AmeriCorps to provide arts education and access to underserved communities in Philadelphia.
Cann holds bachelor’s and master’s degrees in piano performance from the Cleveland Institute of Music, where she studied with Paul Schenly and Dr. Daniel Shapiro, and an Artist’s Diploma from the Curtis Institute of Music, where she studied with Robert McDonald. She joined the Curtis piano faculty in 2020 as the inaugural Eleanor Sokoloff Chair in Piano Studies. She joined the piano faculty of the Manhattan School of Music in 2023.
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